Messages. #18. YouTube Channels

Preamble

Hello Moonlings, look at me. Posting of a Monday. Never thought that might happen again. Don’t have much to say just wanted to remind you that I have not one, but two YouTube channels!

I have my main channel which is called, you guessed it, Thinking Moon. I’ve 96 wonderful subscribers over there. If you are a regular user of YouTube may I as that you subscribed to me? It won’t take long. The simple click of a button, and I will gladly repay the kindness with a return subscription. I make all kinds of things, such as look books, adventure videos, storytelling and much more.

In addition to Thinking Moon, I also have a channel for the green baby squish. I’ve told you about him before, haven’t I? If you don’t remember you can read about it here. His channel is called Chookity Pah, and I created it because I make so many videos with him in it, I figured they deserved their own channel. Plus he’s a star in his own right look at that face!

YouTube
Editing for his channel. Sorry to interrupt you squish!

I’ve been such a big fan of YouTube for so long now, and I finally started uploading back in November 2018. The response has been slow but sure. Below are a sample of both channels. Give them a chance, you never know you might enjoy them!

Thinking Moon

Chookity Pah

 

Copyright © 2019 Thinkingmoon.com – All rights reserved

YouTubers who are my Friends

Preamble

Hi all, this will be a quick post today because I’m pushed for time this week. It’s been a mental with work, writing, life. You know, adultery. (Watch this video and you’ll understand everything!)

A Geeky Gal

Fellow WordPresser Megan is not only a blogging star over at A Geeky Gal. She’s also launched a wonderful YouTube channel by the same name. There are only a few videos at the moment, but she has many more to come. Please head over and check her out. She talks about all the things, especially geeky topics.

 

The What Cast

These guys are my favourite podcast, but back in the day, they used to do these amazing SCP reads. If you love the SCP website like I do head over and give them a listen. If we spam them enough maybe we’ll get some new ones!

 

 

Mullen Makes

My lovely sister-in-law Nicole runs an amazing blog called Mullen Crafts. However, she has finally joined the YouTube community and plans on uploading amazing videos surrounding her crafting exploits. Her crafts span from beautiful greeting cards, to reclaimed wood, to leather working.

 

 

 

 

Practical Matters

My friend has decided to make an indie documentary and I’m here for it. Go check out their teaser trailer!

 

 

 

Allen Lopez

We follow each other on Instagram, and I only just realised the other day that he has a YouTube channel. Guys. Ye boi is hilarious!!! Please go watch this. It made me chuckle so hard.

 

 

 

 

 

Dalen Flynn

Finally my pal Dalen. He has a blog here at Dalen Flynn. However, he had a rather prolific YouTube career back in the day. I’m thinking if we head over and spam his channel he might feel like reviving it.

Until then, enjoy this tutorial on “How To Be Random.”

 

 

 

 

 

 

Copyright © 2019 Thinkingmoon.com – All rights reserved

A Geeky Gal

The What Cast

Mullen Crafts

Practical Matters Films

Allen Lopez

Dalen Flynn

Message #15: Updates & YouTube!

Preamble

Good morning my Moonlings, how are you on this fine Wednesday? I am feeling very creative today, and although I am still a small creator over on TouTube I’m optimistic. I feel as though the internet rewards both consistency and growth. For me, this is my general learning curve anyway, but for those of you who are used to immediate results, you must have patience.

YouTube

Also in case you didn’t know I have a YouTube channel, and I post there about twice a month. You need to bear with me I only have time for that, as a PhD student whose side hustles, have side hustles.

It felt like I needed to update you on what is coming for the channel in April, and in general for the channel. I’ve also got some featured friends so please check them out and subscribe if you are interested.

Russian Doll

Also, do you remember Marie Keane? I interviewed her here, and her album came out in January. Well, it’s finally on Spotify, so there is no excuse not to listen now my friends!!! Here is a review of the album if you’re curious, honestly it’s so beautiful.

Thanks for reading guys!

Love Jaycee. xxx

 

 

Copyright © 2019 Thinkingmoon.com – All rights reserved

100th Post for Thinking Moon! Look Book with Jeffree Star Cosmetics

Preamble

My dear Moonlings, somehow I made it to 100 posts. For those of you who have been with me from the beginning, thank you so much. I know recently indie royalty Lee Hall has published his 200th post and to him I say chapeau!

If you are new here, let me extend a warm welcome. We love to talk about the world, books, philosophy, and my hero Buffy Summers. Today I offer you a video I’ve been working on for several weeks now. It’s a look book centred around 4 Jeffree Star Cosmetic’s liquid lipsticks.

I explain all in the video below, but if that’s not your thing just have fun looking at the pretty pictures, we’re all friends here.

Look Book

So I love clothes, and makeup, I really do. It’s a form of artistic expression, and I can see how happy it makes people. In recent years I’ve become ever more environmentally aware, so I’m trying to buy things that are good for the environment, safe for animals, and ethically produced. Fast fashion is very dangerous not just to the environment, but for those forced to make the clothing in horrific conditions.

Thinking Moon Look Book
Thinking Moon Look Book

Therefore I endeavoured to create a look book with 4 Jeffree Star Liquid lipsticks. These are a wonderful product because they are vegan and not tested on animals. I’ve coupled them with clothing I’ve either had for a long time, thrifted, or got from ethical sources. I tried to let you know where possible I got certain items, but like I said most of them are from second-hand shops and even hand-me-downs from my family. (I love my dad’s old flannels and my brother’s old jeans).

Thinking Moon Look Book
Thinking Moon Look Book

Conclusion

This is the video, I spent many an hour on it for you guys and I really hope you like it. Let me know in the comments below if you’re interested, I’m thinking of making more of these and including Le’Boo, so make sure you’re subscribed so you get to see those videos in the future.

Love,

Jaycee xxx

Copyright © 2019 Thinkingmoon.com – All rights reserved

7 ‘Small’ YouTuber’s I Love

Well, friends, it’s Tuesday so it’s time for another bit of fun, and what’s more fun than YouTube…? No need to answer that!

If you have a YouTube channel please link it below and I’ll subscribe. Honestly, I’ve tried to subscribe to as many as my followers as possible but I may have missed you!

Anyways it’s my favourite website I spend more hours on there then I care to let you know, (all of the hours). 😊

Hence you may have noticed my attempt at YouTube videos (subscribe!!!
https://www.youtube.com/user/PrincessGinJenXxx). You might not know it but I’m a staaaarrrrrr on YouTube. 😉

Today I’d like to highlight some YouTube channels that are under 500,000, even under 100,000. There are many I love but these are 7 that come to mind. 

Before we do though I would like to mention our fellow blogger Steven Colbourne. He has a YouTube channel and he will be putting up some interesting stuff there in the coming months so let’s go support him!

https://perfectchaos.org/2018/11/25/request-for-support/

So without further ado, I shall begin in no particular order:

1.

ECO BOOST

You may have noticed my sustainability journey and this Lady was recommended to me by my sister-in-law. I watched her videos from start to finish and her evolution gave me hope for myself. She was into dyeing her hair, makeup, fashion… and she made it work. Now in fairness, she lives in London so some of her habits/hacks are harder for me. However, she is charming and very easy to learn from.

YouTube
YouTube

https://www.youtube.com/channel/UC3pE1IqHqbdf3vqtaALL4nA

2.

BEDTIME STORIES

This is such an amazing story channel. I only recently discovered it and I got obsessed. I watched all of their videos in like 2 days. If you are interested in spooky stories or unexplained mysteries then these guys are for you. I can’t believe they don’t have more views/subscribers. 

YouTube

https://www.youtube.com/channel/UCCD4-G3Aokt2sM7TYQV2HmA

3.

SPILL

This adorable channel discusses YouTube ‘drama & gossip’ in a fresh way. It’s not speculative wherein you come away with the same information. This channel challenges itself by adding clips/thoughts from professionals such as doctors, scientists, and philosophers. Plus it’s cute.

YouTube

https://www.youtube.com/channel/UC_Vl1oLTGjWYJLmbTpaqorQ

4.

INABBER

My fellow Edgelord Fraser, better known as INabber on the interwebs. Another YouTube gossip channel (what have I become), but hear me out! This guy tells jokes! Just trust me he’s a funny guy, give him a try.

YouTube

https://www.youtube.com/channel/UCLuqzTYgef441A0VYecDHxA

5.

MUCHELLEB

Muchelle B is a lifestyle blogger I love. She has such interesting take on productivity coupled with self-care. Her videos are visually entertaining and her tagline is ‘living life intentionally.’ Genuinely that’s advice I think we could all do with.

YouTube

https://www.youtube.com/channel/UC0sA4gvlWFHfdwaPlBDqnGg

6.

THE WHAT CAST

My buds! Well, I like to think we’re buds because these guys are too relatable. Like the way they converse is just what it’s like in my head. Their podcasts somehow manage to intrigue and tickle me simultaneously. If you like podcasts they are everywhere you find podcasts. Also, they’ve done fantastic readings of SCP’s from the SCP website that’s well worth a listen. 

YouTube

https://www.youtube.com/channel/UCvpug3ySXzVequxFevSwONg/videos

7.

SWOOP

Finally, the incomparable, the beautiful, the brilliant Spankie Valentine, AKA Swoop. This girl had a YouTube channel that had 600,000 subscribers, then a YouTube algorithmic anomaly destroyed it overnight. She then picked herself up, dusted herself off, and created SWOOP.

She made a video about mental health that won an award at the 2018 Buffer Festival. She’s fun, she’s fab, she’s full of life and she needs your subscription! 

YouTube

https://www.youtube.com/channel/UCqHZdrDcZhhRO11m67Tgz4A

So that’s all that I have for you lovely people today. Please check below for other fun Tuesday lists.

https://thinkingmoon.com/category/tuesday-fun/

 

Anthropology & Youtube

When I was 15 I discovered anthropology at Maynooth University. I fell in love and I didn’t want to learn anything else. It called out to me in a way few subjects have since. Philosophy and nature are its parents. It is like a river, you never step in the same one twice.[i] Which is why it’s so uniquely suited to everything.

I managed to graduate from my undergrad, how, I’m still not certain. 2010 marked a tumultuous time in my life, and I only understand now how depression and anxiety played their parts. I spend 3 long years in the job market (miserably). Then a light came in 2013 when I was accepted for a Masters in anthropology and development, in my beloved Maynooth. So over 2 years, I studied my favourite subject again, this time solely.

Even with the seriousness of the subject matter, I still found my whimsical side, which I would like to share with you today. In 2014 I wrote an essay for a class by Dr Steve Coleman of Maynooth University. Rereading it has at times made me laugh out loud. Why he gave me a 2.1 on it I’ll never truly know. Shout out to Steve!

I’ve included some extracts below and it has been sufficiently altered for syntax and clarity. Also, Jenni of today has added some stuff for context and you can see that in italics. So if you’ve made it this far enjoy my stalwart friend!

Animation as Performance

The online world is an endless void of connected humanity. Projections of the self are possible online which are not available to us in the tactile world. Although there are situations where it is acceptable to enact your fandom in ‘real time,’ through ‘Cosplay,’ (the practice of dressing up as a character from a film, book, or video game, especially one from the Japanese genres of manga or anime) such as during Halloween, at conventions, or in theme parks; online personalities offer an outlet for people who want to explore an alternative version of themselves. This often takes place through participation in online communities such as MMO’s (an online video game which can be played by a very large number of people simultaneously). Manning & Gershon explain how the avatars make it possible for people to distance themselves from their bodies:

“…in the virtual worlds of Massively Multiple Online Games (MMOGs). Avatars are virtual embodiments that permit, at the outset, a complete divorce between the body of the offline player and the body of the online character and permit large numbers of offline players to interact socially within a single virtual world mediated by these online embodiments.”

Animation has rapidly become one of the most prevalent expressions of new media this century. Silvio provides a perspective on the popularity of animation:

The proliferation of animation and animated characters is not simply an effect or symptom of the intersection of computer technology and structural transformations in global capitalism. Animation is also popular because it provides a productive trope for thinking through this intersection.”

The topics I will discuss are YouTube and its relevant fandoms. People reinvent themselves online, they perform through the genre of another, and live action has even been transformed into animation. Silvio reinforces, “animation as an alternative model of and for human action in the world,” which is something anthropology seeks to link new animism.

Animism: Descola and Kohn

Descola provides a lens with which to look upon humanity, and the dual system of nature-culture, in his work ‘The Ecology of Others,’

“Making modern dualism the template for all the states of the world has thus lead anthropology to a particular form of academic Eurocentrism, which consists in believing not that the realities that humans objectivise are everywhere identical, but that our own manner of objectivising is universally shared.”

This thought process, although not new, challenges both the dualism of the Eurocentric (focusing on European culture or history to the exclusion of a wider view of the world; implicitly regarding European culture as pre-eminent) anthropology and the belief of anthropologist that all cosmologies (an account or theory of the origin of the universe) objectify the same way. Performance in animation can be adopted here in order to understand cosmologies that may appear to be outside the scope of animism, such as European cultures. Though the stories enacted often have a ‘first world perspective,’ the potential of the digital age to create analogies requires further exploration. Never before could we channel our likes, wants, and needs into something such as the video platform YouTube. YouTube is a nascent form of media which allows anyone to upload content, as long as it follows the community guidelines. The platform is relatively democratic, your views are the votes for what content is pushed to the fore.

The more we watch, the more YouTube calculates our interests through their algorithms, which in turn can generate advertisement revenue, incentivising the creators. YouTube also creates a market for animations. The consumers get what they want, which is more of their favourite animated characters. This is then exemplified by fans seeing themselves in the animated characters. It cannot be ignored and Silvio provides us with this concept:

“My project in this essay, to set up animation as a platform for the comparative study of how human beings negotiate the relationship between self and world, both includes such projects of intellectual history and, of course, should itself be subjected to cultural and historical contextualization.”

Here we can replace the terms ‘nature’ and ‘culture’ with ‘self’ and ‘world’. Which is what Descola was trying to produce in the ‘Ecology of Others.’ Western discourse believes it is complete and therefore other cosmologies should reflect it. It is pertinent however that we do not assume this. Each individual has their own system of meaning which they attach to the nature of their being. It seems both appropriate and fashionable in Western cultures to separate cultural being from natural being, as only one of those has the tools to survive within the systems capitalism and the neoliberal market have constructed. What must be understood is that all cognizant beings have a ‘self.’ This ‘self’ is only separated into sections by the environment they find themselves in such as their workplace or their community. What animation may give us is the picture of the human as a whole rather than the pieces we normally find ourselves in.

Fandoms, Youtubers, and Performance

We continue our journey through the internet with animation as our guiding trope. We encounter a phenomenon which lends itself to the anthropology as far back as Mauss, and gift exchange. With online community accounts offered for free, people can spend leisure time creating or enjoying fan art, which is more often than not, a reflection of some fandom or other.

The offering from YouTube comes from those who describe themselves as ‘Lets Plays.’ These YouTubers record themselves playing video games and their reactions to them. The most common reaction type is comedic, however, they vary. One such YouTuber calls himself Markiplier; his popularity exceeds 6 million subscribers. (Now with over 20 million as of June 2018). With this enormous fanbase dutifully watching his videos, he is able to make a living out of YouTube. Markiplier is known to play horror games in which he appears authentically frightened, which seems to be a large part of his allure. He is brave, according to himself. He uses his voice to give life to characters in the game. A memorable life-giving moment took place in his ‘lets play’ for an Amnesia custom story. He encounters a ‘tiny box’, pictured below, which he proceeds to call, ‘Tiny Box Tim.’ He announces he will bring Tiny Box Tim on adventures with him. Markiplier gives voice and life to an animation from a game. The first question that must be addressed is why? It would appear that humans give life to the inanimate; it seems to be innate for us to personify the world around us.

TinyBoxTimAnmesia.png

This event spawned an animation in which a cartoon Markiplier and Tiny Box Tim were inserted into the game, pictured in below, using an audio snippet from Markiplier’s original video. This 2.00-minute animation, which on Markiplier’s channel now has over 7 million views(now at 20 million), Was a made by a fellow YouTuber, and Markiplier fan called Lixian. This animation fascinating, not only as it awards the opportunity for the gamer Markiplier to appear inside the game, but it also gives life by means of animation to Tiny Box Tim. This character has gone on to appear in other Amnesia stories and animations with Markiplier. Markiplier set this in motion by imprinting himself onto Tiny Box Tim, which has spawned much fan art from Markiplier fans.

AnimatedTinyBoxTim

This is a wonderful example of Marcel Maus idea of gift exchange. Markiplier is free to use the channel to upload videos, he is compensated by YouTube for ad revenues in relation to time watched on his videos, allowing his viewers to watch for free. This is the result of a gift exchange between the YouTuber and the ‘fan’. This is described by Helleskon:

“…The gifts have value within the fannish economy in that they are designed to create and cement a social structure, but they themselves are not meaningful outside their context…”

So what we see unfolding is Markiplier’s video which provides comedy, in response fans that cannot compensate him in a conventional sense, create fan art such as the animation above. This performance is projected onto animations such as those during gameplay. Markiplier’s voice and personality is projected onto something inanimate, such as a tiny box.

This also is something which may affect Silvio’s belief that animated characters are the only ones that have lives of their own, as this is something live ‘characters’ such as Marilyn Monroe or Mick Jagger cannot have. In the case I have described above the animator Lixian became the live character of Markiplier by creating a representation of Markiplier through his own unique animation style, and use of Markiplier’s original audio. If we follow Silvio on this:

“When we follow an animated character we do much more than anthropormorpasize theme, we in fact, inject ourselves into them. Not only becoming like them, but becoming them, feeling what they are feeling and experiencing what they are feeling. Giving life and logic to something like an animated toy in Toy Story.”

Lixian created his interpretation of what happened, and now the animation gives us the possibility to feel not only what Markiplier felt but what Tiny Box Tim felt. Which pictured in below were; determination, joy, pride, and sadness.

The labour of humanity has allowed this to exist. Not only has a tiny box been animated, but it has been given the range of human emotions, making it real to us.

“Thanks to labour, humans extract their means of subsistence from their environment which they partially transform, metamorphosing themselves in the process in that they establish a social mediation with their fellow humans and with objects.”

Humans have this ability to personify the inanimate as we have a deep-rooted need to define the world. This is increasingly becoming the reality of play for children and adults alike. Play is now extended beyond childhood into a safe online environment, where we can build and define our relationships. We can see how we may like ourselves to be. The act of YouTubing as a ‘lets player’ has some interesting connotations when we consider this quote.

“Silvio points out that this is also true for moments of performance—all sorts of people enable actors to do their jobs. But when people interpret actors’ performance, they still focus on the embodied nature of the performance and the relationship of the actor to the role. Not so with animation. Animation brings this misrecognition in which a character is created by many to the foreground. So the labor underlying animation also contributes to the ways multiplicities can be conflated with an individual character…”

YouTubers are a phenomenon yet to be examined in great detail. YouTuber’s will often find animations of themselves, whether solicited or unsolicited, appearing from clips of their popular videos. This enables the fans to both insert themselves in the narrative of the YouTuber and also insert the YouTuber into the world of the game. The initial reaction of a YouTuber is as if they are in the game environment, which is the nature of gaming, whether you video yourself or not. By animating the moments, life has been brought to both the character of the YouTuber and the environment of the game.

Concluding Notions

Incredibly Manning & Gershon take Silvio animation tropes one step further adding an interesting dimension:

“What if this trope of animation sheds light on dilemmas otherwise obscured when one interprets interactions based on a self-divided by the tension between character and actor, between performance and true self?”

This offers something anthropology is always searching for in its discourse, especially when we consider the idea of the human having more than one self-described by Bourdieu’s ‘habitus’ and ‘field’ model. Although we are a complete person at all times when we are in certain situations we are enacting different versions of ourselves. Therefore interaction with animation is an interesting lens with which to view a person. For example, cosplayers, take an animated character, and embodied them, being both the character and themselves at the same time. Not only is this identifying mimicking an animation, but holding more than one reality in your mind at once.

We must remember we live in a world which is dominated by an online presence. Those of us online, have so many different identities, even in our use of emoticons to animate our emotions and reactions on what is a 2-dimensional space. It is undeniable that there are many versions of ourselves, and many use art to project themselves. A writer cannot separate themselves from their words, we now we have animations to enact ourselves through. They are templates waiting for someone to come along and ‘play’ them.

Copyright © 2018 Thinkingmoon.com – All rights reserved

Bibliography

  • Philippe Descola. 2013. The Ecology of Others. Prickly Paradigm Press, LLC 5629 South University Avenue.
  • Kohn, Eduardo. 2013. How Forests Think: Towards An Anthropology Beyond The Human. University of California Press. Berkeley, Los Angeles, London.
  • Silvio, Teri. 2010. Animation: The New Performance? Institute of Ethnology, Academia Sinica. Journal of Linguistic Anthropology. American Anthropological Association.
  • Manning, Paul & Gershon, Ilana. 2013. Animating Interaction. HAU: Journal of Ethnographic Theory 3 (3): 107–37. Indiana University & Trent University.
  • Hellekson, Karen. 2009 A Fannish Field of Value: Online Fan Gift Culture. Cinema Journal, Vol. 48, No. 4 , pp. 113-118. Published by: University of Texas Press Society for Cinema & Media Studies.
  • Salzman, Philip Carl. 2002. On Reflexivity. American Anthropologist, Vol. 104, No. 3, pp. 805-813 Published by: Wiley on behalf of the American Anthropological Association.
  • Gibson, Priscilla. Dickens’s Uses of Animism. Nineteenth-Century Fiction, Vol. 7, No. 4, pp. 283-291 Published by: University of California Press.
Pictures

[i] Pocahontas. Disney.

Interested in this? Have a go at this one!

https://thinkingaheadblog.wordpress.com/2018/06/11/troid/

In Defense of Pewdiepie

This week I had a blog post all planned. It was written just waiting in its folder to be edited for upload. All was well until yesterday evening, when I got offended by something. Now let me tell you, I’m a white girl and according to the internet, we have a propensity to get offended by things. So I’m about to launch into a rant because I was offended so it will be a tall order to get people to listen.

What has thus offended me so? Yesterday I came across an article written by a news source I had previously considered to be a relatively reputable, The Guardian. Their offering discussed YouTuber ‘Pewdiepie’ (whose real name is Felix Kjellberg). It was, in my opinion, a pathetic, click-bait-esque, joke. It disgusted me.

Thankfully I was not alone, and Philip DeFranco (also of YouTube) discussed it in his latest video.[i] I won’t link the article, I won’t give them the satisfaction, but the tagline they went with was, “ To call him an alt-right agitator would perhaps be unfair as he has never publicly identified with the proto-fascist movement. But he shares much of their culture and amplifies it across the world. People should pay Pewdiepie more attention.”

In other words, here is a trained journalist writing about a world they don’t understand. They are seemingly praising Kjellberg in a backhanded, superiorly arrogant way. The article is a mess, as the Journalist themselves doesn’t seem sure whether or not they should be chastising him or in awe of him. Let me answer that puzzle for you, it’s simple, be in awe. This one guy has 61,944,085 subscribers and an average of 3 million views on each video.

You are using his name so people will click on your pathetic media source. YouTube has allowed the rise of entertainers such as Kjellberg because people can choose who to watch. Views are the votes, and Kjellberg’s views speak for themselves.

We know the big media corporations fear people like Kjellberg because they represent the shifting tide. People want to watch entertainers who not only understand them and their dank meme posting, game streaming, internet humour lives, but they want them to be just like them. Kjellberg is not a trained actor, reading lines someone else wrote. Or a news anchor who is forced to read the same disclaimer about fake news. People watch him because he is a real person.

This is not a new phenomenon, but it stands that if you are going to report on something nascent like YouTube (10 years old) from a form of media like newspapers (100s of years old) then do some actual investigative reporting and understand why it’s popular.

By the way, Pewdiepie is not anti-semantic, and neither is Mark Meechan of Scotland. Who will now serve jail time, for a humorous video that the stuffy generation (not by age but by choice) didn’t understand.[ii] It wasn’t a joke that didn’t land well, it was a joke that conservative assholes failed to realise was a new type of satire.

Fuck mass media. Learn how the internet works before you make an ass out of yourself commentating on a YouTuber who is loved by millions of people. Do not call him a proto-fascist because you are afraid of him, that’s how people in America were killed during the cold war. They were simply called a communist and then they were ‘disappeared’.

Go watch 50 hours of Pewdiepie videos and you might have a clue what he’s about. Or, go back to writing about truly troubling public figures and stop wasting your time on things you don’t seem to understand.

I will probably write more about this, I image Felix will respond to the article. Until then you can see Philip Defranco’s views on the situation, and subscribe to him and Felix. Trust me. You won’t be disappointed.

Copyright © 2018 Thinkingmoon.com – All rights reserved

https://www.youtube.com/channel/UClFSU9_bUb4Rc6OYfTt5SPw

https://www.youtube.com/user/PewDiePie

[i] https://www.youtube.com/watch?v=odwfHu6MDuU&t=0s

[ii] https://www.youtube.com/watch?v=F9sH-3AoF88&t=938s

Like what you read here? Why not try out a story?

https://thinkingaheadblog.wordpress.com/2018/03/31/come-back/

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